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7/8 cello update No 5

7/8 studio cello at Ilja Grawert violin shop workshop Brisbane Australia

So the bass bar is glued as you saw in the last update. I removed the clamps grabbed my little thumb plane and started shaping the bass bar. It has to be supportive of the pressure onto the top plat from the strings and bridge as well as being able to spread the vibrations on the bottom strings as fast as possible over the whole plate. That way you get this beautiful deep growly sound we love with cellos. When done I glued the top plate onto the sides and started working on the back plate. I make use of some thickness templates which are only a guideline creating the right thickness and balance.

Shaving the inside of the top plate, fitting & shaping the bass bar & thicknessing the back plate accurately is very important in building a cello. This is one of the most essential parts in creating the beautiful sound which will eventual make people dance, burst into tears of beauty or just listen to the song being carried through the concert hall. This process transforms the cello from a furniture to a musical instrument… which then will be loved by the musician its companion for life.

Each cello carries a song of its own, telling a story of its proportions, the tools and the hands shaping it from a block of wood into this beautiful creation of sound.

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